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Question by eat sleep breathe football,: How can I be a naturally good music writer?
I’m quite depressed, and I get my feelings out through writing music and lyrics. I’m just wondering how I can be a naturally good music writer? Some tips / guidelines please?

Thanks (:

Best answer:

Answer by SAM
Writing is like playing a sport. If you want to be a good basketball player or a swimmer, soccer player, you have to practice practice practice!

Add your own answer in the comments!

Lyrics are often considered as poetry for the masses; in turn, those who write lyrics are considered as poets. This idea may not be true all the time, but it is applicably to a few notably artists. Norah Jones, Tupac, Jewel, and Paul McCartney are noted writers of lyrics (and creators of music too, of course), and their lyrics have been published as books which are often classified as poetry collections. Not all lyrics are poems, of course, but their exemplary work often pass the standard of literature. At its best, lyrics can transcend music and function as great literature. But at its worst, lyrics can be cringe-inducing nightmares. Here are some of the lyrics that do not pass the standards of great music. Read the rest of this entry »

You probably have experienced being annoyed by a person who puts wrong lyrics when singing your favorite song? Worse, such person may even keep on singing the song and adds even more blunders by putting on more wrong lyrics. Some people simply could not help putting an ad lib or interpreting songs using their own lyrics, with grammatical and sense errors.

Have you ever noticed that some songs are naturally coming with lyrics that are grammatically incorrect and are not making sense? Yet, many composers and lyricists keep on producing and releasing such songs because it is just impossible or very difficult not to give in to the need to come up with lyrics that just fits into music measurements. In fact, many of the most popular songs of all times, sung by the most influential singers and recording artists, are striking with erroneous and inappropriate lyrics.

The problem about lyrics of many songs is escalated by people who unconsciously sing songs with incorrect lyrics. There are four basic reasons why some people keep on doing such mistakes. If you are a fascist textualist (or a person who care most about song lyrics), it would help you understand and tolerate such people if you would know and understand why lyrics are mistaken.

First, some songs simply have misheard lyrics. If you would look at the official and actual transcriptions of the song lyrics, you would find that words and sentences are grammatically correct and are making logical sense. However, phonetics has it that some words simply could always be misheard.

Second, some people just do not understand the song lyrics, or worse, they do not comprehend what a song is all about. Singers who are not naturally speaking the language of a particular song may not totally understand the message and content of it.

Third, some people have a superiority complex to think their own lyrics are better than the actual lyrics of a song. To these people, music is not all that matters, but also words. Some of them correct lyrics with grammatical errors, while some just do not feel like saying or singing specific words. In some cases, there are words that are hard to pronounce in music lyrics. Thus, some singers tend to use synonyms or homonyms to avoid difficulty and blunders in pronunciations.

Lastly, some people enjoy putting ad lib to replace actual song lyrics. They might be singing to make people laugh, or they might be doing so because they aim to irk specific people. Thus, if a friend of yours keeps on singing a song with erratic lyrics despite seeing that you are totally annoyed, he might be doing it intentionally.

What should you do with such people? Basically, you have no choice but to endure and tolerate. If you could raise to the person’s attention the mispronounced or mistaken song lyrics, do so. But if you could not out of politeness, you could just give him a book of song lyrics as a gift.

Author Bio: This article on great Lyrics with big grammatical errors is presented by http://www.welovelyrics.com

The Oscar Awards is the most estimable present-winning body that tells apart achievement in moving-picture show . But while the Oscars is more noted for the respects it gives to precious films, there is one honour here that musicians counter and aspire for: The Best Original vocal honour. This laurels is given to songs that are part of the soundtrack of a film, and it agnizes accomplishment for melodious excellence (from the dulcet system, output, and the Lyric Poems, among others). The vocals that have came through in this Category work in variant levels. For some, the Lyric Poems of these vocals add depth to the picture, while the others rely on the Lyrics and the music of these songs to move the narrative forward. Of course, the vocals and their one Lyric Poems as an annex of the cinema are not necessarily the criteria for winning this Family. What topics most here is the capital of the euphony, the beauty of the Lyrics, and the excellency of the vocal.

A number of vocals that have come through the Best Capital were from singing films or from films where music, Words, and songs play a huge part. This commonly lets in animated lineaments such as The Prince of Egypt, Tarzan, and Monsters Inc. The Lyrics of these vocals do not always jive with the song of the movie. For instance, the Lyrics of “HYPERLINK \”http://en.wikipedia.org/wiki/You%27ll_Be_in_My_Heart\” \\o \”You\’ll Be in My Heart\” You\’ll Be in My Heart” from Tarzan only pertain to a small portion of the story of the pic. But the Lyric Poems of “If I Didn’t Have You” from Monsters Inc. fit the movie like a glove. Sample Lyrics: “If I were a rich man / With a million or two / I’d live in a penthouse / In a room with a view / And if I were handsome / Well it could happen / Those dreams do come true / I wouldn’t have nothin’ if I didn’t have you.”

There have been representatives when the stars intended in the celluloid would execute vocals for its soundtrack-and would later on win in the Best vocal Family in the Oscars. An deterrent example of this is Eminem’s “Lose Yourself” for the cinema 8 Mile. Since the Words of this vocal were written during the yield of the movie (substance it was wrote specifically for the moving-picture show), it sums up or fishing tackles much of the plot and themes of the cinema. For example, “The soul\’s scarpering, up this hole that it\’s gaping / This world is mine for the taking / Make me mogul, as we move toward a, new world order / A normal life is drilling, but superstardom\’s close to autopsy .” Eminem’s win may have thunderstruck many, since the Oscars is known to pick the most obvious choice. Yet Eminem’s smart and witty Lyric Poems have dealt to win the hearts of the Oscar electors.

Some of the lyricists and composers who have won the most number of awards in this Family include Tim Rice and Alan Bergman. These two persist to be common until today, thanks to their timely and circulating Words. Rice’s and Bergman’s Words are subtle self-examination of life (as in the Lyric Poems of Bergman’s “The Way We Were” for the movie of the same title) while keeping its gall and being forward while working on sanctioned tools and banners (as in Rice’s “You Must Love Me” from Evita).

Author Bio: Get the Oscar award winner Lyrics available at http://www.smartlyrics.com

Nothing can beat the original, although there are always a brave few who would try. This is very applicable in music, where a number of artists who try to perform songs popularized by other artists. These are commonly known as covers. In a cover, the lyrics and the musical arrangement may be altered or changed, making the song an entirely entity at some point. However, changes in lyrics and arrangements aside, it is up to the listeners whether they would accept the new version of an old song or that. And despite the risk of not being accept by the masses, many artists have tried their hands on performing old favorites, giving familiar lyrics and music some new twists. So here are some song covers by artists who dared to try something new with already established music and lyrics from established songs.

“Beat It”

Fall Out Boy’s rendition of this Michael Jackson favorite attained moderate success; a considerable achievement considering the song-from its lyrics to its music-is significantly different from anything the band has performed. There were no changes in the lyrics of the song, but Fall Out Boy gave “Beat It” a character to similar to their own. So while the lyrics of the song still advocates anti-violence messages, the music itself may seem to be saying the opposite thing.

“Killing Me Softly”

A rare case when the cover was more popular than the original, this Roberta Flack song was made into an iconic hit by The Fugees. Of course, this isn’t to say Flack’s version was ignored; her original version was awarded as the Song of the Year, the Record of the Year, and the Best Pop Vocal Performance by a Female Performer recognitions. Today, however, it is The Fugees’ version that remains in the conscious of the general public. This goes to show that beyond the artists who performed it, the song itself is remarkable (with splendid lyrics, such as : “Stromin my pain with his fingers / Singin my life with his words / Killing me softly with his song / Telling my whole life with his words / Killing me softly with his song”).

“Mandy”

The lyrics alone of this Barry Manilow original reflect the song’s age. For instance, the opening lines of the lyrics go: “I remember all my life / Raining down as cold as ice / A shadow of a man / A face through a window / Crying in the night / The night goes into.” Yet, this did not stop the numerous artists who covered the song.

“Umbrella”

There are instances when a new song would be covered by contemporary artists only a few months before the original was released. Of course, the covers are usually not released as singles, yet they can be acquired online. A notable example of this is Rihanna’s “Umbrella.” Of course, this is not surprisingly-the hooks of the lyrics and the catchy tune of the song are simply irresistible. Artists who covered “Umbrella” include Taylor Swift, Mandy Moore, Marie Digby, Linkin Park, and others. They did not change the lyrics but the arrangement of the song is usually different, giving a different light to the lyrics.

Author Bio: This article on change of Lyrics in cover versions is presented by http://www.smartlyrics.com

There is no call for to expatiate why the lyrics of a song is significant. The words offer the much wanted “hook” for any song, the ingredient that will pull in voltage hearers. This is wherefore the songwriting process is just as outstanding as creating the genuine euphony or vocalise of the song. The words of any vocal is not indiscriminately penned to create signified or cause for the song; music and lyrics go together, because listeners will be able to find if they don’t.

But while the words are significant in any song, its grandness in a vocal from a singable is much more substantial. A song molds solo, so to mouth, since it being for itself and can make sense without the setting of the record album where it goes or the artist who did it. A song from a melodious, on the other hand, commonly doesn’t. Or, at the very least, setting and knowledge of beginning heightens the song and the song heeding have.

A singable is a character of house that compounds the regular spoken duologue (as in a representative play), calls, euphony, and terpsichore. The songs-and their lyrics-function as an intact part of the product. Sort Of than just being a song, these singing pieces commune the floor and helper the floor affect innovative. In other language, the songs and the words of these songs are denotations to the story. Singable theatre was a very pregnant and better part of music various years ago. In fact, vocals from musicals dependent the airwaves. While melodic tastes have by all odds changed over the years, musical theaters remain to be a very meaning artwork form, and songs from these yields continue to draw auditors. The lyrics of these songs are attractive. Unlike the rule song which pertains to a common feel or signed, the lyrics of the songs recount a significant story, getting the songs more taking and bitter.

Mass do not picture that songs and lyrics from musicals have went part of fashionable cultivation, particularly since they have been cold from the musicals where they risen. These are unremarkably called show lines. Flawless examples of show tunes take “Memory” from the standard musical Cats (one of the longest drawing musicals in Broadway), a vocal that was splendidly performed by Barbra Streisand. Even those who like this iconic song do not even know that “Memory” is from a melodic; the song’s mostly likable words make it liked even to those who haven’t seen the yield. Other musical theaters were produced the other way around, with musical theaters using going songs in their yields. An instance of this is the musical Mamma Mia, a philharmonic that uses songs by ABBA.

Even So, the words of these vocals form the meat of melodious outputs. They run just like how a duologue in a report should, although with the totaled appeal of music. Musical theatre may no longer be as hot now as it was various years ago. Withal, the songs and lyrics from these productions will continue to linger in the essences of millions.

Author Bio: This article on songs and lyrics and how they form melodious out put is presented by http://www.lyricsbay.com

Review

“…this text covers all the bases…” (Guitar Magazine, August 2003) “…if you are more talented then me visit www.wileyeurope.com…” (Ipswich Evening Star, 20 August 2003)

Review

“…this text covers all the bases…” (Guitar Magazine, August 2003) “…if you are more talented then me visit www.wileyeurope.com…” (Ipswich Evening Star, 20 August 2003)

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So you want to write songs, and you want to write them on guitar. This is the book that shows you exactly how. Taking tips and tricks from classic songwriters, from Bob Dylan to The Beatles to Tori Amos, “How To Write Songs On Guitar” takes you through the four main elements of a song – rhythm, melody, lyrics and harmony – and inspires you to combine them in exciting new ways. This revised and expanded edition adds 32 pages of contemporary examples and new ideas. Packed with cho (more…)

Love songs are supposed to be romantic. But sometimes, when accompanied with music, we rarely notice how absurd, unrealistic—and bad—the lyrics of these songs are. Inflicted with some of the cheesiest lyrics ever, these songs continue to amuse and entertain people, for all the wrong reasons. Here are some of the acknowledged songs that have bad lyrics you can’t help but chuckle every time you hear it.

“Sometimes,” by Britney Spears

“Sometimes” is innocent enough for a love song. Note this particular part of the lyrics, where the persona of the song is musing of what she wants with her boyfriend and her relationship: “Sometimes I run / Sometimes I hide / Sometimes I’m scared of you / But all I really want is to hold you tight / Treat you right / Be with you day and night / Baby all I need is time.” It seems sweet, typical of how young girls would think; but those keen enough to look at the lyrics closely would notice how this confusion is unusual. Here, the lyrics say she wants “hold you tight” but is also “scared of you.” So which one is it, Britney? Oddly enough, her dance hits like “Toxic” and “Womanizer” made more sense than this, and her ode to her self-destruction and renewal ‘Pieces of Me” was lauded by critics.

“As Long As You Love Me,” by Backstreet Boys

Another love song with lyrics that seem innocent and even sweet, “As Long As You Love Me” by the popular 90s boy band The Backstreet Boys is saying that they do not have any other requirements for their lovers. All they want is that these people love them. This can be noted in the chorus of the lyrics: “I don’t care who you are /Where you’re from / What you did / As long as you love me / Who you are / Where you’re from / Don’t care what you did / As long as you love me.” The lyrics also say that they “Don’t care what is written in your history / As long as you’re here with me.” This openness is more creepy than romantic.

“Holding Out For a Hero,” by Bonnie Tyler

If The Backstreet Boys barely had any requirements for love, Bonnie Tyler channeled the exact same sentiment with “Holding Out For a Hero.” The lyrics of this 80s cult favorite say “it’s gonna take a Superman to sweep me off my feet.” The chorus of the lyrics is even more demanding: “I need a hero / I’m holding out for a hero till the morning light / He’s gotta be sure and he’s gotta be soon/ And he’s gotta be larger than life / Larger than life.” Of course, later in the lyrics, the listeners would realize Tyler is channeling her fantasies rather than waxing poetics on actual romanticism. This may not seem like a straight out love song, but Tyler’s appeal for a hero is hilarious and somewhat sad at the same time.

Author Bio: This article on some great love songs with average lyrics is presented by http://www.smartlyrics.com/

Are lyrics important in a song? While you won’t see a lot of people discussing this issue, this is probably a question that comes up every once in a while. The question is not as stupid as it sounds—many actually claim that lyrics do not serve any important function to a song. After all, a song is music; and while the sound would be different without the lyrics, the experience shouldn’t be any different. There are people who listen to music for the sake of the sound, considering the lyrics as an exterior, an addition, instead as an integral part of the creation. But is this entirely true? Are lyrics really important?

Many would say yes for several reasons. For one, many listeners of music find the appeal of songs in the lyrics and not in the music. This is because they find the song lyrics “relatable.” By this, it means the listeners can connect with the song, perhaps because they have experienced the sentiments and narrative delivered by the lyrics. Lyrics as something relatable are usually applicable when the song lyrics are in the form of a narrative; or when the song lyrics tell a story, regardless if it is complete or incomplete. An example of this is Johnny Cash’s “A Boy Named Sue.” If the title itself doesn’t imply that the song is a narrative, the lyrics itself should make it very clear. For instance: “My daddy left home when I was three / And he didn’t leave much to ma and me / Just this old guitar and an empty bottle of booze./ Now, I don’t blame him cause he run and hid / But the meanest thing that he ever did / Was before he left, he went and named me ‘Sue.’” Of course, the lyrics of the song can be relatable even if it isn’t an all-out narrative. As all as the lyrics provide sentiments, anyone can relate to it.

One factor why people say lyrics aren’t essential in songs is dance music. Dance music has lyrics, of course, but their function isn’t as important as the sound of the song itself. For instance, there have been a number of dance songs that have lyrics in the foreign language. The lyrics of dance songs aren’t exactly nonsensical, but it is not given primary importance.

Lyrics also aim to inspire. This is essential true in gospel music and country music. Here, the sound doesn’t take a backseat—although the lyrics are given more importance. Gospel music, for instance, is a genre defined by the lyrics of the song since it is described as a genre that expresses Christian beliefs. Of course, lyrics also provide additional entertainment, especially when songs are performed in karaoke.

In short, lyrics make it easier for a song to express emotions and sentiments, feelings and intent. Music can provide and express emotions, but adding lyrics to a song definitely adds depth and texture to what would otherwise be plain and repetitive.

Author Bio: This article on Lyrics & your Emotions is presented by http://www.lyricsbay.com/