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Posts Tagged ‘Lyrics’

Nothing can beat the original, although there are always a brave few who would try. This is very applicable in music, where a number of artists who try to perform songs popularized by other artists. These are commonly known as covers. In a cover, the lyrics and the musical arrangement may be altered or changed, making the song an entirely entity at some point. However, changes in lyrics and arrangements aside, it is up to the listeners whether they would accept the new version of an old song or that. And despite the risk of not being accept by the masses, many artists have tried their hands on performing old favorites, giving familiar lyrics and music some new twists. So here are some song covers by artists who dared to try something new with already established music and lyrics from established songs.

“Beat It”

Fall Out Boy’s rendition of this Michael Jackson favorite attained moderate success; a considerable achievement considering the song-from its lyrics to its music-is significantly different from anything the band has performed. There were no changes in the lyrics of the song, but Fall Out Boy gave “Beat It” a character to similar to their own. So while the lyrics of the song still advocates anti-violence messages, the music itself may seem to be saying the opposite thing.

“Killing Me Softly”

A rare case when the cover was more popular than the original, this Roberta Flack song was made into an iconic hit by The Fugees. Of course, this isn’t to say Flack’s version was ignored; her original version was awarded as the Song of the Year, the Record of the Year, and the Best Pop Vocal Performance by a Female Performer recognitions. Today, however, it is The Fugees’ version that remains in the conscious of the general public. This goes to show that beyond the artists who performed it, the song itself is remarkable (with splendid lyrics, such as : “Stromin my pain with his fingers / Singin my life with his words / Killing me softly with his song / Telling my whole life with his words / Killing me softly with his song”).

“Mandy”

The lyrics alone of this Barry Manilow original reflect the song’s age. For instance, the opening lines of the lyrics go: “I remember all my life / Raining down as cold as ice / A shadow of a man / A face through a window / Crying in the night / The night goes into.” Yet, this did not stop the numerous artists who covered the song.

“Umbrella”

There are instances when a new song would be covered by contemporary artists only a few months before the original was released. Of course, the covers are usually not released as singles, yet they can be acquired online. A notable example of this is Rihanna’s “Umbrella.” Of course, this is not surprisingly-the hooks of the lyrics and the catchy tune of the song are simply irresistible. Artists who covered “Umbrella” include Taylor Swift, Mandy Moore, Marie Digby, Linkin Park, and others. They did not change the lyrics but the arrangement of the song is usually different, giving a different light to the lyrics.

Author Bio: This article on change of Lyrics in cover versions is presented by http://www.smartlyrics.com

Of course, any musician would want a long and lasting career in the music industry. This is, after all, a very profitable and very fulfilling occupation, and it can open doors to a number of opportunities beyond music. But there are times when this isn’t meant to be. A number of artists have tried to penetrate the music business and have partially succeeded. But what happens when their initial attempt succeeds, yet their succeeding efforts fail? They become the sad entities we know as one-hit wonders.

The definition of a one-hit wonder can be somewhat loose, although it is acknowledged that anyone with just one hit of a song is considered as such. However, not all one-hit wonders can be defined in this category. For instance, strictly speaking, Jimi Hendrix is a one-hot wonder since he only managed to get one hit in his wide range of released. Yet it is undeniable that his entire body of work is also well-known, although not necessarily big hits. But there are artists who cannot achieve that. Here are some of the more famous one-hit wonders, and the music and lyrics that gave them their one shot at success.

“Macarena,” by Los del Rio

What could be a bigger one-hit wonder than “Macarena,” that infectious Latin dance song that conquered not just American but the whole world? At one point, Billboard even recognized it as the fifth song in their All Time Top 100 list, and it probably remains in that list until now. The achievement of this song is peculiar because of its lyrics: the lyrics of Macarena are entirely in Spanish-and it became a number one in non-Spanish speaking countries. Of course, no one listens (or dances) to the “Macarena” because of its lyrics, but it does make one wonder how something with incomprehensible lyrics (at least in most parts of the world, where Spanish isn’t spoken) top the charts around the world.

“Take On Me,” by a-ha

“Take On Me” was popular during the 1980s, and it even reached the top one spot of the Billboard charts. Its music video is even considered as innovative during the time of its release. The lyrics of the song (sample lyrics: “So needless to say / I’m odds and ends / But that’s me stumbling away / Slowly learning that life is OK”) weren’t horrible, just simply typical of songs created during that time. Yet a-ha never managed to follow their initial success, relegating “Take On Me” in a one-hit wonder status.

“Kung Fu Fighting,’ by Carl Douglas

Another infectious song with funny lyrics (sample: “They were funky China men from funky Chinatown / They were chopping them up and they were chopping them down / It’s an ancient Chineese art and everybody knew their part / From a feint into a slip, and kicking from the hip’), “Kung Fu Fighting” remains to be familiar until today. In fact, thanks to its catchy pop hooks and lyrics, ‘Kung Fu Fighting” has been used in movies such as Epic Movie, Rush Hour 3, and Kung Fu Panda, among a score of 90s movies.

Author Bio: Music and Lyrics can make or break one artist, read more at http://www.musicsonglyrics.com/

There is no call for to expatiate why the lyrics of a song is significant. The words offer the much wanted “hook” for any song, the ingredient that will pull in voltage hearers. This is wherefore the songwriting process is just as outstanding as creating the genuine euphony or vocalise of the song. The words of any vocal is not indiscriminately penned to create signified or cause for the song; music and lyrics go together, because listeners will be able to find if they don’t.

But while the words are significant in any song, its grandness in a vocal from a singable is much more substantial. A song molds solo, so to mouth, since it being for itself and can make sense without the setting of the record album where it goes or the artist who did it. A song from a melodious, on the other hand, commonly doesn’t. Or, at the very least, setting and knowledge of beginning heightens the song and the song heeding have.

A singable is a character of house that compounds the regular spoken duologue (as in a representative play), calls, euphony, and terpsichore. The songs-and their lyrics-function as an intact part of the product. Sort Of than just being a song, these singing pieces commune the floor and helper the floor affect innovative. In other language, the songs and the words of these songs are denotations to the story. Singable theatre was a very pregnant and better part of music various years ago. In fact, vocals from musicals dependent the airwaves. While melodic tastes have by all odds changed over the years, musical theaters remain to be a very meaning artwork form, and songs from these yields continue to draw auditors. The lyrics of these songs are attractive. Unlike the rule song which pertains to a common feel or signed, the lyrics of the songs recount a significant story, getting the songs more taking and bitter.

Mass do not picture that songs and lyrics from musicals have went part of fashionable cultivation, particularly since they have been cold from the musicals where they risen. These are unremarkably called show lines. Flawless examples of show tunes take “Memory” from the standard musical Cats (one of the longest drawing musicals in Broadway), a vocal that was splendidly performed by Barbra Streisand. Even those who like this iconic song do not even know that “Memory” is from a melodic; the song’s mostly likable words make it liked even to those who haven’t seen the yield. Other musical theaters were produced the other way around, with musical theaters using going songs in their yields. An instance of this is the musical Mamma Mia, a philharmonic that uses songs by ABBA.

Even So, the words of these vocals form the meat of melodious outputs. They run just like how a duologue in a report should, although with the totaled appeal of music. Musical theatre may no longer be as hot now as it was various years ago. Withal, the songs and lyrics from these productions will continue to linger in the essences of millions.

Author Bio: This article on songs and lyrics and how they form melodious out put is presented by http://www.lyricsbay.com

Love songs are supposed to be romantic. But sometimes, when accompanied with music, we rarely notice how absurd, unrealistic—and bad—the lyrics of these songs are. Inflicted with some of the cheesiest lyrics ever, these songs continue to amuse and entertain people, for all the wrong reasons. Here are some of the acknowledged songs that have bad lyrics you can’t help but chuckle every time you hear it.

“Sometimes,” by Britney Spears

“Sometimes” is innocent enough for a love song. Note this particular part of the lyrics, where the persona of the song is musing of what she wants with her boyfriend and her relationship: “Sometimes I run / Sometimes I hide / Sometimes I’m scared of you / But all I really want is to hold you tight / Treat you right / Be with you day and night / Baby all I need is time.” It seems sweet, typical of how young girls would think; but those keen enough to look at the lyrics closely would notice how this confusion is unusual. Here, the lyrics say she wants “hold you tight” but is also “scared of you.” So which one is it, Britney? Oddly enough, her dance hits like “Toxic” and “Womanizer” made more sense than this, and her ode to her self-destruction and renewal ‘Pieces of Me” was lauded by critics.

“As Long As You Love Me,” by Backstreet Boys

Another love song with lyrics that seem innocent and even sweet, “As Long As You Love Me” by the popular 90s boy band The Backstreet Boys is saying that they do not have any other requirements for their lovers. All they want is that these people love them. This can be noted in the chorus of the lyrics: “I don’t care who you are /Where you’re from / What you did / As long as you love me / Who you are / Where you’re from / Don’t care what you did / As long as you love me.” The lyrics also say that they “Don’t care what is written in your history / As long as you’re here with me.” This openness is more creepy than romantic.

“Holding Out For a Hero,” by Bonnie Tyler

If The Backstreet Boys barely had any requirements for love, Bonnie Tyler channeled the exact same sentiment with “Holding Out For a Hero.” The lyrics of this 80s cult favorite say “it’s gonna take a Superman to sweep me off my feet.” The chorus of the lyrics is even more demanding: “I need a hero / I’m holding out for a hero till the morning light / He’s gotta be sure and he’s gotta be soon/ And he’s gotta be larger than life / Larger than life.” Of course, later in the lyrics, the listeners would realize Tyler is channeling her fantasies rather than waxing poetics on actual romanticism. This may not seem like a straight out love song, but Tyler’s appeal for a hero is hilarious and somewhat sad at the same time.

Author Bio: This article on some great love songs with average lyrics is presented by http://www.smartlyrics.com/

Are lyrics important in a song? While you won’t see a lot of people discussing this issue, this is probably a question that comes up every once in a while. The question is not as stupid as it sounds—many actually claim that lyrics do not serve any important function to a song. After all, a song is music; and while the sound would be different without the lyrics, the experience shouldn’t be any different. There are people who listen to music for the sake of the sound, considering the lyrics as an exterior, an addition, instead as an integral part of the creation. But is this entirely true? Are lyrics really important?

Many would say yes for several reasons. For one, many listeners of music find the appeal of songs in the lyrics and not in the music. This is because they find the song lyrics “relatable.” By this, it means the listeners can connect with the song, perhaps because they have experienced the sentiments and narrative delivered by the lyrics. Lyrics as something relatable are usually applicable when the song lyrics are in the form of a narrative; or when the song lyrics tell a story, regardless if it is complete or incomplete. An example of this is Johnny Cash’s “A Boy Named Sue.” If the title itself doesn’t imply that the song is a narrative, the lyrics itself should make it very clear. For instance: “My daddy left home when I was three / And he didn’t leave much to ma and me / Just this old guitar and an empty bottle of booze./ Now, I don’t blame him cause he run and hid / But the meanest thing that he ever did / Was before he left, he went and named me ‘Sue.’” Of course, the lyrics of the song can be relatable even if it isn’t an all-out narrative. As all as the lyrics provide sentiments, anyone can relate to it.

One factor why people say lyrics aren’t essential in songs is dance music. Dance music has lyrics, of course, but their function isn’t as important as the sound of the song itself. For instance, there have been a number of dance songs that have lyrics in the foreign language. The lyrics of dance songs aren’t exactly nonsensical, but it is not given primary importance.

Lyrics also aim to inspire. This is essential true in gospel music and country music. Here, the sound doesn’t take a backseat—although the lyrics are given more importance. Gospel music, for instance, is a genre defined by the lyrics of the song since it is described as a genre that expresses Christian beliefs. Of course, lyrics also provide additional entertainment, especially when songs are performed in karaoke.

In short, lyrics make it easier for a song to express emotions and sentiments, feelings and intent. Music can provide and express emotions, but adding lyrics to a song definitely adds depth and texture to what would otherwise be plain and repetitive.

Author Bio: This article on Lyrics & your Emotions is presented by http://www.lyricsbay.com/

Amazon.co.uk Review

It’s always going to be difficult to assess a character like chav-pop mad-mouth Lily Allen, seeing as absolutely everyone has an opinion on her, regardless of whether they know who she is or how they arrived at it. Where does the kicking tabloid caricature end and the artiste begin? For these reasons alone you should be grateful for It’s Not You, It’s Me, as it finally crystallises all the chaos of the last couple of years into a succinct, sparkling and (more…)

Amazon.co.uk Review

Poor old Britney Spears hasn?t exactly had a good time of it lately, what with her recent lackluster MTV performance and dubious appearances all over the tabloids. Blackout, her fifth studio album, is being touted as a bit of a comeback album, the title allegedly alluding to how she is “blacking out” all negative media coverage and focusing on getting back to form. Backed by an array of superstar beatmakers–Bloodshy & Avant, Pharrell Williams, T-Pain, Danja- (more…)

CD Description

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Amazon.co.uk Review
Stabbed, shot, assaulted and now with a million-dollar record deal, 50 Cent lives up to the title of his latest album Get Rich or Die Trying. The New York native comes from the same school as B.I.G, Shine and Mobb Deep–a raw street rhymer who mixes the thug and poet in one perplexing package. 50 cent earned extra cred by coming up through mix-tape popularity after his first album was dropped when the ex-boxer was shot on the eve of its release. Guns, threats, dr (more…)

Amazon.co.uk Review
17 years in the making and beholden of a level of hyperbole verging on mythology–one that couldn’t even be derailed by Axl Rose staffing his ever-changing troupe with people named Buckethead, Bumblefoot and Brain–Chinese Democracy would disappoint even if it arrived in a puff of smoke and nullified the impact of The Dark Side of the Moon, Revolver and Sabbath Bloody Sabbath (not to mention Appetite for Destruction). And it doesn’t do that, obviously. In fact, s (more…)