Mega Music Talent

Posts Tagged ‘Pink Floyd’

Like many people born well after the 60s ended, I love the music of that era. It sounds much fresher to my ears than does most of the music recorded today. These seven bands are my most favorite.

(#1) The Beatles – Surprising pick, right? Sometimes conventional wisdom is on target. Yes, The Beatles really are the greatest band of all time (and thus, obviously, the best band of the 1960s.) Considering they recorded their final album, Abbey Road, in 1969 they are really a “purely 60s” band (unlike most on this list which went on to record more music into the 70s (and in some cases beyond.)

My favorite Beatles album is 1968′s self titled double album which is most well known as The White Album.

(#2) The Rolling Stones – Much of The Stones best music was recorded in the ’70s, not the ’60s but that being said they definitely recorded a huge amount of stone cold classics in the ’60s too.

(#3) The Who – Like The Stones, they recorded a lot of their best stuff in the ’70s. But then again they did recorded Tommy and a lot of their most famous singles (including “My Generation” of course) in the ’60s. The musicianship of this band always blows me away and I think they were the best live band of the decade. I definitely recommend getting the Live at Leeds CD, I think it’s the best live album ever.

(#4) The Jimi Hendrix Experience – They only released three albums (all of them in 1967 and 1968) but all three albums are absolute must have classics. I think my personal favorite is the final of the three: Electric Ladyland which is a real sprawling psychedelic double album that includes many different styles of music.

(#5) The Beach Boys – This selection isn’t entirely on the strength of Pet Sounds. They did release a lot of other great music that sometimes gets overshadowed by Pet Sounds. All of this being stated, this selection was made mostly because of the greatness of Pet Sounds (and the mystical Smile which was finally realized by Brian Wilson almost 40 years later.)

(#6) Pink Floyd – The ’60s Floyd of Syd Barrett was a different beast than the ’70s Floyd lead by David Gilmour & Roger Waters. 1967′s Piper at the Gates of Dawn is one of my all time favorite albums. I also highly recommend Syd Barrett’s two solo albums (they were both released in 1970) if you are into this sort of psychedelic pop music.

Don’t get me wrong, I love the 1970s Pink Floyd too especially Dark Side of the Moon, Wish You Were Here, and Animals but I don’t think the ’60s Barrett lead Floyd should be as overlooked as they are!

(#7) Led Zeppelin – Most people think of Zep as a ’70s band but they did release their first two albums in the ’60s and I actually prefer those ’60s albums over their ’70s work (although of course that was great stuff too.)

Author Bio: Mike Jensy recommends Jamorama Guitar Lessons for anyone who wants to learn how to play guitar like these 60s legends. He also recommends the Beatles Remastered Box Sets for all Beatles fans, they sound fantastic. Beatles Mono Box Set is truly amazing.

With the renewed interest in vinyl records, an old friend is becoming more important again- album cover art. There have been tens of thousands of album covers created throughout the years and there are some that are instantly recognized, while some remain obscure, but one thing is certain, album cover art is part of our pop culture and the rock and roll lexicon.

Let’s explore a particularly innovative British art design company that specialized in creating instantly recognizable album cover- Hipgnosis. This creative group has made album covers for some of rock’s dignitaries, including Pink Floyd, Genesis, Black Sabbath, Led Zeppelin, Yes and the Scorpions, to name a few.

Hipgnosis primarily consisted of artists Storm Thorgerson, Aubrey Powell and later on, Peter Christopherson. In 1968, Thorgerson and Powell were asked to design an album cover for Pink Floyd’s second album called “A Saucerful Of Secrets.” They completed that project and soon commissioned additional work from EMI, which included photos and album covers for Free, Toe Fat and the Gods.

Being art and film students, the pair was able to utilize the darkroom at the Royal College of Art, but after they graduated, they had to set up their own facilities and in early 1970 they rented a space and built their famous studio.

Their unique company name came from graffiti found on the door to their apartment. They liked the word because it sounded like hypnosis and they combined two somewhat contradictory terms, “hip” for new and cool and “gnosis,” which related to ancient learning.

Hipgnosis’ novel approach to album design was strongly photography-oriented, and they pioneered the use of many innovative visual and packaging techniques. In particular, Thorgerson & Powell’s surreal, elaborately manipulated photos that utilized innovative darkroom tricks, multiple exposures, airbrush retouching, and mechanical cut-and-paste techniques were a film-based forerunner of what would, much later, be called photoshopping.

“We were self-taught,” writes Powell in the book,” For The Love Of Vinyl.” “What we did was come up with ideas based on the music. The design ideas were poorly sketched in the early days and required a lot of accompanying blag to be understood. Our usual strategy was to talk the job through with each other and then use photography as a means to express it.”

Hipgnosis got their real big break in 1973 when they were hired to do the cover for another Pink Floyd album, “Dark Side Of The Moon,” which is one of the most recognized album covers in the world. After the success with the Floyd cover, they were in high demand and soon took on jobs for Led Zeppelin, Genesis, UFO, Black Sabbath, Peter Gabriel and The Alan Parsons Project, to name a few.

Peter Christopherson joined the company in 1974 as an assistant and later on he became a full partner. The firm employed many talented assistants, of particular note were freelance artists George Hardie, Colin Elgie, Richard Manning and Richard Evans.

Another interesting side note is that the company did not have a set fee for designing a particular album cover, instead they asked the musicians to “pay what they thought it was worth,” a policy that would occasionally backfire according to Thorgerson.

Let’s explore some of the stories behind the album covers:

Pink Floyd- Dark Side Of The Moon (1973)

Probably Hipgnosis’ most famous work, the album was originally released in a gatefold LP sleeve designed by Hipgnosis and bore Hardie’s iconic refracting prism on the cover. Inside the LP were two posters, one bearing pictures of the band in concert with the words PINK FLOYD broken up and scattered about, and the other being a slightly psychedelic image of the Great Pyramids of Giza taken on infrared film. The album was also the first Pink Floyd album to have picture labels on the record where it depicted a blue prism with black background and the credits written either in grey lettering (European issues) or white lettering (US and Canadian issues). Also included was a sheet of stickers of the pyramids.

The album is the third best-selling album of all time worldwide (not counting compilations and various artists soundtracks), and the 20th-best-selling album in the United States. Though it held the #1 spot in the USA for only one week, it spent a total of 741 consecutive weeks-over fourteen years-on Billboard’s list of the top 200 best selling albums, longer than any other album in the history of music.

Led Zeppelin- Houses of The Holy (1973)

The concept for the cover was taken from Arthur C Clarke’s Childhood’s End. It is a collage of several photographs which were taken at the Giant’s Causeway, Northern Ireland, by Aubrey Powell. The two children who modeled for the cover were siblings Stefan and Samantha Gate. The photo shoot was a very frustrating affair and took ten days. Shooting was done first thing in the morning and at sunset in order to capture the light at dawn and dusk, but the desired effect was never achieved due to constant rain and clouds. The photos of the two children were taken in black and white and were multi-printed to create the effect of 11 individuals that can be seen on the album cover. The results of the shoot were less than satisfactory, but some accidental tinting effects in post-production created an unexpectedly striking album cover. The inner sleeve photograph was taken at Dunluce Castle near to the Causeway.

Jimmy Page has said that the album cover was actually the second version submitted by Hipgnosis. The first, by artist Storm Thorgerson, featured an electric green tennis court with a tennis racquet on it. The band was furious that Thorgerson was implying their music sounded like a “racket”, the band fired him and hired Powell in his place.

Atom Heart Mother- Pink Floyd (1970)

The original album cover depicts a cow standing in a pasture with no text or any other clue that it was an album from Pink Floyd, although some later editions have the title and artist name added to the cover. The concept was the group’s reaction to the psychedelic “space rock” imagery associated with Pink Floyd at the time; the band wanted to explore all sorts of music without being limited to a particular image or style of performance.

So the band requested that their new album cover have “something plain” on the cover, which ended up being the image of the cow. Storm Thorgerson, inspired by Andy Warhol’s famous “cow-wallpaper,” has stated that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw. The cow’s owner identified her name as “Lulubelle III.” More cows appear on the back cover (again, with no text or titles), and on the inside gatefold. Again, an instantly recognizable cover, simple as it is.

Peter Gabriel (1980)

Peter Gabriel’s third album, it contains two of Gabriel’s most famous songs, the U.K. Top 10 hit “Games Without Frontiers” and the political song “Biko.”

This album is often referred to as “Melt” due to its cover photograph by Storm Thorgerson. The photo was taken with a Polaroid SX-70 instant camera, and subsequently modified by Thorgerson or Gabriel, and one side of the portrait of Gabriel seems to be melting; although Thorgerson does not recall whether he or Gabriel manipulated the image.

…And Then There Were Three… Genesis (1978)

A rather gloomy and dark cover; it is one that Hipgnosis was not real keen on as Thorgerson explains:

“We were trying to tell a story by the traces left by the light trails. It was a torch, a car, and a man with a cigarette. The band was losing members and there were only three of them left. The lyrics of the songs were about comings and goings and we tried to describe this in photographic terms by using time-lapse. So there’s a car going off to one side and then the guy gets out of the car, walks over to the front of it, and lights a cigarette. But as he walks he uses a torch and the car he was in leaves. There’s a trail left by the car, a trail left by him as he’s walking and then he lights a cigarette, which on the cover is where there’s a flash of his face.”

Still, whether the company was happy with the result or not, it is another amazing cover.

In Through the Out Door- Led Zeppelin

This original album featured an unusual gimmick: the album had an outer sleeve which was made to look like a plain brown paper bag and the inner sleeve featured black and white line artwork which, if washed with a wet brush, would become permanently fully colored. There were six different sleeves featuring a different pair of photos and the external brown paper sleeve meant that it was impossible for record buyers to tell which sleeve they were getting. The pictures all depicted the same scene in a bar (in which a man burns a Dear John letter), and each photo was taken from the separate point of view of someone who appeared in the other photos. In 1980 the album was nominated for a Grammy Award in the category of best album package.

Storm Thorgerson recalls the design in his book “Eye of the Storm”:

“The sepia quality was meant to evoke a non-specific past and to allow the brushstroke across the middle to be better rendered in color and so make a contrast. This self same brushstroke was like the swish of a wiper across a wet windscreen, like a lick of fresh paint across a faded surface, a new look to an old scene, which was what Led Zeppelin told us about their album. A lick of fresh paint, as per Led Zeppelin, and the music on this album? It somehow grew in proportion and became six viewpoints of the same man in the bar, seen by the six other characters. Six different versions of the same image and six different covers.”

Hipgnosis’ ideology and concepts are still being utilized and will be copied for years to come. Thankfully, these young art and photography students understood the meaning of an album cover and the art and music worlds are a better place because of their insights and talent.

Author Bio: Author Robert Benson writes about rock/pop music, vinyl record collecting and operates http://www.collectingvinylrecords.com, where you can pick up a copy of his FREE ebook called “The Fascinating Hobby Of Vinyl Record Collecting.” Have your vinyl records appraised at http://www.vinylrecordappraisals.com.

Don’t you just love that movie ‘High Fidelity’ where the hero is constantly making lists of his top 5 all time favorite records, girl friends, meals and whatever. I save all the concert tickets from the concerts that I have been to and I can’t help but make up my top five classic concerts and wish I had the concert tickets to go with the memories.

Classic concert ticket number 5: U2 plays on an L.A. liquor store rooftop, March 27, 1987. They were atop a liquor store rooftop, Los Angeles. It may not have had The Beatles’ originality, but Bono and the guys surely enjoyed their 20 minutes on top of the LA world nevertheless. The Irish super group was about four songs into the gig on an L.A. liquor store rooftop when the city police decided to end their impromptu performance and spoil the fun for the fans that had gathered below. Strictly speaking this wasn’t a concert with proper concert tickets but I love the video “Where The Streets Have No Name”, which was the point of the whole exercise.

Classic concert ticket number 4: George Harrison’s Concert for Bangladesh, August 1, 1971 at Madison Square Garden, New York City. What had initially been conceived as a small political fundraiser aimed at bringing humanitarian relief to the refugees in breakaway Bangladesh quickly turned into one of the biggest rock fundraisers of the 1970s. Although Lennon and McCartney never ended up signing on to Ravi Shankar’s cause, many other stars did, including George Harrison, Bob Dylan, Billy Preston, and Eric Clapton, who actually collapsed onstage as a result of his protracted bout of heroin addiction but still managed to proceed with the concert. The 40,000 or so fans who crowded New York’s Madison Square Garden witnessed some rare performances, including a 25-minute Indian recital by Ravi Shankar, Bob Dylan’s “A Hard Rain’s Gonna Fall” and Ringo Starr’s “It Don’t Come Easy.”

Classic concert ticket number 3: Pink Floyd break visual barriers with The Wall shows between February 1980 and June 1981. It was a World tour. Pink Floyd’s visual theatrics took a turn for the legendary with their infamous The Wall concerts, which were the last shows Roger Waters, Richard Wright, Dave Gilmour, and Nick Mason performed together before the Live 8 show in July 2005. Each show required timed performances and unprecedented cooperation between the musicians, concert crew, lighting engineers, and computer programmers. In fact, extended instrumentals and Roger Waters’ impromptu introductions often served to cover up stage fires and other technical difficulties, which seemed inevitable when putting together a show that included a 30-foot-high teacher puppet, a scorpion wife and other such animated characters.

Classic concert ticket number 2: Jimi Hendrix wows Woodstock, August 18, 1969 at Woodstock, New York. After plowing through three days worth of rain, mud, minbending drugs, and music, the 30,000 or so diehard fans who chose to brave one more night for Jimi Hendrix’s Woodstock closer were not disappointed. In fact, those who stuck around to witness Hendrix’s mind-blowing rendition of “The Star-Spangled Banner” cannot deny its importance on the festival’s soundtrack; it became the eternal anthem of a generation of civil rights crusaders, anti-war protestors and music lovers everywhere. Now I know this was a ‘free’ concert but it didn’t start out that way and there were actual concert tickets issued for Woddstock.

Classic concert ticket number 1: The Beatles sell out Shea Stadium August 15, 1965 in New York City. After a thundering welcome at JFK airport, the American release of Help! And an electrifying appearance on The Ed Sullivan Show, The Beatles’ success at Shea Stadium, the first-ever stadium concert of its kind, was all but guaranteed. In fact, the sell-out crowd of 55,600 was so deafening that the The ‘Fab Four’ could barely hear themselves play throughout their 30-minute set. Instead, The Beatles’ grand armored van entrance, John Lennon’s ‘Jerry Lee Lewis’ onstage freak-out and the event’s record-setting gross revenues stole the show.

Fantastic deals to all concert, show and sport events! Get concerts tickets, wicked tickets, discount sports tickets, Las Vegas show tickets or any concerts ticket at an amazing price

In August 2006 a sixty year old, bald, stocky bachelor with a face at once stern and sensitive died of diabetes. He was living on his own in his home-town: the genteel city of Cambridge, England, world widely known for its university, which, in the UK, is rivaled only by the equally venerable one in Oxford.

His name was Syd Barret. Or was it? No. His name was Roger Keith Barret, known as Rog to the few people he bothered to see, mostly his family. Syd Barrett is the name the world will remember him by.

He was a living legend. Now he is a dead legend.

Let me outline the birth of this legend in a few words.
Do you know the magnolia?
What makes its beauty so special is not only its features, but also that it blooms very early, and very short. In those seminal years of pop/rock music, the mid sixties, Barrett’s songs and music shared the same properties. As founding father and undisputed leader of a band called Pink Floyd, Syd Barrett was a pivotal figure in the emerging psychedelic scene in London, and, via his records, the rest of the world.

It was a time when the world, in the words of Keith Richards, suddenly turned from black and white into Technicolor. And Syd Barrett was a most colourful being indeed, to the ear, to the eye and to the mind in equal measures. Brought up quite liberally, with well to do parents, and a particularly doting mother, young Syd was as gifted as he was attractive, and a humorous, impish fellow at that. Experimenting with a few things almost no one had heard of in these days, like LSD –until the sixties mainly used by the CIA as sort of a truth serum drug- and the ancient Chinese Book of Changes, the I Ching, his main occupations were painting and music. Painting came first, the music and songs that would make him famous came second in those early days.

In the music industry many things had changed in the slipstream of the Beatles fame. Musicians were no longer puppets on a string of shady, cynically-minded Tin Pan Alley-types, churning out product for whoever laid the money down. There was a new playfulness and originality in the music of the Beatles and also a completely un-self-conscious integrity, mainly brought about by the fact that the Beatles wrote their own songs, and became a role model for that. It was the Kennedy era. People were in some ways starting to be encouraged by the authorities to think for themselves and not to do simply what the same authorities expected them to do, which, of course, implies a paradox with a vengeance, but, lucky for those times, it took a while for us all to realize.

Back to our story. So the Beatle phenomenon became a trailblazer for a whole gamut of gifted young bands, all into writing their own material: The Rolling Stones, The Kinks, and The Who, who does not know their names.

Barrett’s Pink Floyd rose to fame a few years after the first batch of post Beatles bands. And in those heady days a few years made an enormous difference. Swinging London was already turning psychedelic and of that era Barrett was, is, and always will be one of the finest relics. It all went by so fast…

Syd Barrett was an almost devout non-believer in discipline, and had a frame of mind and body not heavy duty enough for the rough life of a rock star. Within two blasting years his behavior had become so erratic that he could not rationally function anymore in the band that was his brainchild. Forgetting guitars everywhere, sometimes refusing to speak to anyone, standing on stage like a statue, playing just one chord. Roger Waters, Rick Wright and Nick Mason had to incorporate guitarist David Gilmour, a good friend of the whole band, and already a highly rated session player. A short while the band was a five some, David Gilmour delivering the sonic good, and Syd Barrett as a sort of far-out ornament. Then the idea was that he would be the home staying genius, with the other boys on the road a la Brian Wilson, but it al expired, Syd being so deranged that he temporarily became an inmate of the Terrapin Asylum, after which followed a few years in London, living in various trippy bohemian settings. During that time he did manage to create two albums that are still enjoyed by quite a few good ears: “The Madcap Laughs” and “Barrett’s” quirky, very asymmetrical songs with strangely evocative lyrics about almost nothing/everything, after which he stopped making music altogether. He ended up where he started, in Cambridge, living with his mother, and after her death on his own, picking up painting again and writing a history of art for his own enjoyment, without the slightest idea to let others read it, let alone publicize it.

All his life he had the status of a cult hero, also because his old band, Pink Floyd, became hugely successful in the line-up with David Gilmour, and the standard bearers of, let’s say, adult rock: always competent, creative, even poetic, skilfully performed on state of the art hardware, but with the elusive x-factor, which makes things creep under your skin, considerably reduced.

A short career and a long retirement.
He regained his inner balance sufficiently to live as a quiet, withdrawn, strange but not crazy citizen, sustained by the royalties of his compositions on Pink Floyd’s and his own records. According to his family he could even be said to live with his very own brand of satisfaction. Syd Barrett will always be remembered as one of the most enigmatic characters in the pantheon of modern Western popular music.

Harry Rackers writes for File Sharing the site to visit if you want to download music, movies and/or games from the Internet.

You could find more info on pop stars at Music Movies Download where you will find lots of entertainment articles, and a directory of entertainment sites.

Article Source: http://bb-articles.com